The Notion is inspired by abstract thought forms, and the irregular spheres are stacked into columns, interpreting the rational design vocabulary through the cold stone, and conveying a warm touch via the colorful glossy lacquer material, expressing the primitive state of the senses. The irregular surface of the sphere resembles a bubble of boiling water, creating a sense of visual flow under the refraction of light. The colored spheres in the middle symbolize the perception and difference of things, expressing the strong style of artist Reding Ho. 

The French philosopher Gilles Deleuze once said, “Thinking is the result of a rencontre, a chance and almost violent encounter. 

Thinking is like a thick, boiling soup, a chemical reaction between inner substances and outer feelings, floating on the boiling surface in semi-liquefied bubbles that appear before our eyes as fluid forms and colors that collide, split, disintegrate, burst, and multiply. 

Height 75 cm, diameter 105 cm. 

The table top is marble and the legs of the column are lacquered in glossy finish with sculptural craftsmanship and painted finish. 

The main visual focus is on the irregular glossy spheres, which reflect different ripples from different light sources no matter what angle you look at. The round and balanced shape of the side table can fully integrate with the surrounding space, and the low-profile but eye-catching appearance becomes the artwork in the space.  

Studying the ideas of French post-modernist philosopher Gilles Deleuze at the intersection of philosophy and art, he explores his diverse structuralism and metaphysics, intervening perception and logic in aesthetics, constructing and designing each work from the nature of things.  

After numerous discussions and abstract transformations, the biggest challenge was how to turn the abstract thoughts and feelings into reality. After several times of refinement and revision, and calculation of the weight-supported structure, this work was completed.  

Centered on materials and finishes, the design concept speaks to the sense of touch and the chilling surface left on the finger. The glowing marble in the middle, the source of pure sensations, inflames a contradictory affection that dominantly melts off the last bit of calmness, arousing sensation from within.